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1voteThis page compiles links to other projects that use technology in dance. On the top of the page, additional links under "Categories" lead to sections on the use of technology in notation, software, and stagecraft. This Web page is part of a larger directory that provides links on many types of dance.
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1voteThe OpenEnded Group is a digital art collaborative formed by Paul Kaiser, Shelley Eshkar, and Marc Downie, the first two of whom worked on Ghostcatching. There are brief biographies of the participants, information on their past, current, and future works, and an interesting archive of individual posts of their own inquires and observations.
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1voteThecla Schiphorst, one of the original designers of Life Forms, a computer choreography tool, elaborates on Cunningham’s use of technology to explore new movements in his choreography, and his varied uses of computer programs in creating new sequences of movement. Images of computer-generated dance figures, along with related quotes by Cunningham, illuminate the process.
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1voteThis brief article by Don Herbison-Evans gives an overview of the use of technology in dance over the last forty years. Dance notation, graphic figures, choreography, performance, and teaching are among the topics discussed.
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1voteThis article focuses on Transparent Technologies, a digital art convention. It discusses the use of technology by several dancers, artists, and musicians, and the difficulties they face in their work, such as broken technology and synchronizing mechanical and human movement. The article is part of a special section in the Voice, "Wired Dance World," and links to several other articles.
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1voteThe Web site is run by PALATINE, Performing Arts Learning and Teaching Innovation Network, a higher-education organization that promotes successful teaching and learning techniques in the performing arts. It hosts a directory that provides links to journals, projects, and performances on various dance topics, including "Dance Technology & Multimedia."
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1voteThis Web site hosts a broad interdisciplinary discussion of technology and new media and their use by artists, theorists, and scientists. It includes events, photos, member and group profiles, and a discussion forum. The discussion forum includes an inquiry, "Dance Technology; what is it?", posted on December 1, 2007.
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1voteThis brief article reports on an interactive, improvisational performance titled House Music Project, performed by professor Thomas DeFrantz of MIT. The performance addresses intersections of technology and African American music and dance. The viewer is witness to a work in progress, where the motion-capture technology often influences the next step in the development of the narrative.
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